Logic pro x compressor8/3/2023 ![]() ![]() Most reasonably modern computer audio systems are happy to work with buffer sizes of 128 samples or lower, Logic included, but you may need to increase the buffer size if the computer is being forced to work particularly hard. Nobody can give their best performance when what's coming back through the headphones is delayed to a noticeable degree. The next issue with any computer recording system is to see whether you can get the latency value low enough for the singer to feel comfortable when monitoring the output from your audio interface. If your mic preamp has a low-cut switch, it may be worth using that to exclude very low-frequency sounds, such as passing traffic, but try a test recording with and without the filter to ensure that it doesn't compromise the low end of the voice in an unacceptable way. The same applies to EQ - it's much easier to add it than to undo the effect of inappropriate EQ, so it's safest to record everything flat and then EQ while mixing if you need to. If you feel you must compress while recording, then at least make sure that you under-compress slightly rather than over-compress, as you can always add a bit more compression when you come to mix. In the bad old days, we needed to compress while recording to tape in order to maintain a high average recording level that would mask the tape noise, but with 24-bit recording you can easily leave 12dB or more recording headroom and not lose any quality at all. You may have a rack compressor that always sounds absolutely fantastic with your voice, but my inclination would usually be to avoid any form of processing while recording. If you're using a capacitor mic, then the preamp or mixer must have phantom power - unless you're using a tube mic that is. ![]() ![]() Of course the choice and positioning of the microphone is just as crucial as in any other recording situation (see the 'Getting A Good Recording' box for some pointers). The process starts with getting a microphone signal into Logic, which usually means connecting a suitable mixer or mic preamp to the line input of your audio interface, or using an audio interface that has a mic preamp built in. Recording vocals, in a generic sense, has been covered in Sound On Sound on numerous occasions, but this time we're going to look at the process of recording and processing vocals using Apple's Logic. So here we'll be giving you the advice you need to produce that big commercial sound. Getting great recorded vocals can seem like rocket science, especially with all the complicated editing and processing tools that Logic now provides. ![]()
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